![]() ![]() The soprano begins the recitative with the basso continuo, and the violins join in the 19th measure. There is no clear indication of key until it cadences the last two beats in D major. The second recitative "Priva del caro bene" also suggests a minor feel throughout even though the key signature reads as C major. Or else, remaining silent, her glance seems to speak to him, saying "Are you leaving me and abandoning me?" The recitative continues with the minor feel and does not sound like d minor until the last six measures, showing clear cadential movement in the accompaniment to a half cadence. ![]() Beside him, his faithful consort piteously expresses in a sad song the harsh pain in her heart, which arouses her bitter weeping. The soprano sings: "Heavens! Oh Heavens! Tirsi is languishing, and his face darkens with sorrow. ![]() The violins and basso continuo open in B-flat unison as the soprano joins on a B diminished chord. The first recitative "Che vidi oh Ciel" is notated with a key signature of one flat and suggests to be in the key of d minor. The accompanying voices move in rhythmic and harmonic unison while the melodic line in the soprano voice remains most prominent. The recitatives have a generally homophonic texture. It is written for soprano voice in soprano clef accompanied by two violins and basso continuo. It follows a recitative-aria-recitative-aria format. The cantata's form is adopted from Alessandro Scarlatti's da capo aria form. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |